Digital Doubles: The Major Agency of Minor Bits

10.01.2023

AD Special Issue: Architectures of Refusal

[↓ more articles ↓]
Lucía Jalón Oyarzun, A paradoxically accurate 43% of blurred uncertainty, 2022. Google’s Cloud Vision API applied to Pieter Bruegel the Elder’s The tower of Babel (c. 1563) confirms that there is a building in the image with a 57% certainty.
Lucía Jalón Oyarzun, A paradoxically accurate 43% of blurred uncertainty, 2022. Google’s Cloud Vision API applied to Pieter Bruegel the Elder’s The tower of Babel (c. 1563) confirms that there is a building in the image with a 57% certainty.

In a world that seeks to describe, codify and quantify everything, and particularly our viscerality and its interactions with our actual and digital environments, can we find interstitial spaces, currently unseen, unobserved and unlegislated, where we might be able to create minor architectures capable of blooming?

Published in Architectural Design’s Special Issue: Architectures of Refusal.
Edited by Jill Stoner and Ozayr Saloojee.
Volume 92, Issue 6, November/December 2022

14.09.2023

Minoring Architectural Research

A theoretical and practical reflection on the possibilities, positions and methodologies of a minor approach to architectural research will reveal key concepts and tools to establish a critical position, build a situated architectural investigation and produce research materials otherwise. Minor architectures are an open repertoire of spatial practices and know-hows based on the immanent differentiating… View Article
30.06.2022

Del Camino al Circuito: Semióticas de la Carretera

Tesla autopilot video
An architectural, technical and cultural analysis of the road as architectural entity. From the link between road, landscape and orientation until its transformation into a circuit where ecologies of asignifying signs nudge the vehicle and its passive passengers, we consider the role and perception of landscape, as well as its effects on the architectural agency… View Article
10.01.2023

STOÀ Journal Issue 05: Contributive Workshops

Bussigny contributive workshop, 2018. © ALICE
In his prescient 2019 work Capitalist Realism, cultural critic Mark Fisher used the film Wall-e to point out the interpassive quality of critique under capitalism, where we delegate on a work of art or a piece of technology the agency to perform our judgement on our behalf. The Pixar film shows the Earth as an… View Article